Once a darling, always a darling

I’ve gathered at least 20 hours worth of interviews, additional hours of location video and 100s of photographs for my film “Finding John Lingwood.” The finished film … 55 minutes.

A mountain of information to work with and a lot left on the cutting room floor. It’s not quote as bad as you might think – logging all those clips, assessing their relevance and selecting the ones you think might be part of your story.

Not every word or thought an interview subject utters is compelling or fundamental to your narrative, not every photograph adds to the complexity of a scene. 

But … 

  • The person whose backstory tugs at your heart strings;
  • The interview filled with clever turns of phrase;
  • The beautifully lit locations
  • Moments when you laugh or cry or scratch your head

The “darlings” I call them – these stand out in your mind as you begin to stitch together your story. The more you are play the clip the more it calls out to be included. Intimacy clouds your judgement.

So, it is no surprise there comes a time in the editing process when you must cut your darlings to honour the story.

But, once a darling always … well you know how that goes. 

I thought you might like to meet some of my darlings. 

As you wait patiently for the premiere of “Finding John Lingwood” later this year, I will – from time to time – be posting some the compelling moments that ended up on the digital trash heap.

First up, this clip from my interview with Eric Haldenby, professor and former director of the Waterloo School of Architecture. Here he talks about Lingwood’s command of the principals modernist design and his work on the home he created for Dr. Roy Howarth and his family in 1957.

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Why I open my heart and head to critiques

I’ve finished the first cut of “Finding John Lingwood” and it’s time to find out if the John Lingwood I’ve come to know resonates with audiences. Over the next month I’ll be screening this version with test audiences to hear what they have to say.

It’s stressful, having your work critiqued, but it’s essential to getting the film ready for a premiere in fall 2018. 

I have had the help of some talented crew members from time-to-time during production, but the micro-budget for this project kept me working in virtual solitude – interviewing, shooting and editing.

Although this suits my nature just fine, this is where problems can start.

No matter how hard you to try to rein in your biases and experiences, their influence creeps into your process, particularly in editing.

You easily become convinced you’ve got it right:

  • The sweet little scene with a subject you’ve really connected with; 
  • The funny moment that makes you laugh each time you see it; 
  • The beautiful drone shot.

They all fight to find their way into your film. As editor you must guard and guide the story, making sure every moment, every cut, every visual advances the narrative. 

The ruthlessness required is simply beyond me.

This is when I depend on members of the test audience. They poke your soft spots, call you back when you wander from the storyline and question every awkward moment. 

Sometimes you just want to bury your head in the sand – pour a glass of wine and ignore the advice. But that is hardly useful. So when I do a screening, I strive to open my heart and head; I take notes; I consider every comment.

For the filmmaker, the challenge is not only to listen, but also to try to understand. Feedback can’t always be taken literally; improvements are often found by changing something other than the specific quibble. 

Here’s the thing: I have never found my work to get worse after a test screening. It has always …  always gotten better.

Not everyone can be part of the test audience so, as a thank you for reading this post, I’ve included a little taste of the first cut of “Finding John Lingwood” – a clip of my work so far on the opening credits.  

I’m hoping to achieve three things:

  • Evoke the period, 1955-1996,
  • Set a tone of the film,
  • Reflect the character of John Lingwood. 

It’ll be hard to judge these criteria without see the entire film, but I would love to hear your thoughts just the same. Please comment below.

Finally, the day has arrived: Return to Burnt Island

It feels like I’ve been planning this day forever.

Tomorrow, I am going to recreate a trip to the Lingwood Family Cottage on Burnt Island in Georgina Bay for my documentary Finding John Lingwood”.

Along with John’s daughter Lisa and her husband Jeff we will be driving the cross-country route to Honey Harbour and hopping aboard Larry Simon’s water taxi for a 20 minute ride to the cottage. It’s the only way you can get there.

On the way we’ll be stopping by the Dairy Queen in Alliston to shoot some scenes to Lisa ordering a milkshake, just as she did in her childhood when she made the trek in the backseat of her dad’s Buick with brother Cameron.

Designed and built by John beginning the late 50s, the cottage was a regular pilgrimage for John and family up until the mid-1990s. Daughter Lisa believes this was the place her father felt most at home – grooming the beach in the early morning before everyone else was awake.

There’s something about a journey that brings us closer to understanding how lives unfold. With Lisa as my guide I’ll visit the places that most inspired John and perhaps catch a glimpse of him on the shore, rake in hand tending to the sand … maybe sitting in the Teahouse or swaying in a hammock in the woods near the cottage.

I’m excited to be working alongside a skilled crew for this section of the project:
K. Jennifer Bedford – Videography and Drone Pilot
Gary Kirkham – Audio Guy
Katie Heath – Production Assistant and Stills Photographer

Meanwhile, in Waterloo Region lives are changed

As the world continues to swirl about us – political maneuvering, terrorist attacks, climate change – the quiet life in Waterloo Region carries on.  Ignoring the world is not the answer, but it is equally important that we hear and share the stories of how everyday people enrich the life we share here.

I finished producing this short video for House of Friendship last week. It documents the renovation of the agency’s Emergency Food Hamper Program building at 807 Guelph St. I started way back in August 2016, capturing daily time lapse sequences and live video. The real story didn’t emerge until the finally weeks, when we discovered that early in her career, Teresa O’Reilly a project manager for the job, depended on the program to help her make ends meet.

Watch as Teresa tells her story about how the Emergency Food Hamper Program changed her life.

 

Watch “Road Hockey Stories: Episode Two – Mitch” First Goal

Here’s Episode 2 in a series of teasers for Lost & Found Theatre’s new play “Pocket Rocket” by Waterloo Region playwrights Lea Daniel and Gary Kirkham.
We will be showing all the stories we’ve collected as a pre-show treat at performances of the play April 20 to 30 at the Registry Theatre in Kitchener.
For more information and a peek behind the scenes visit the Lost & Found Theatre’s blog.

Watch “Road Hockey Stories: Episode One – Paul”

I’m having a great time talking to people in Waterloo Region about their memories of playing road hockey
I volunteered  to start this series of short videos to help Lost and Found Theatre promote the world premiere of Pocket Rocket a new play by Lea Daniel and Gary Kirkham.
Checkout the Lost and Found Theatre blog to get a peek behind the scenes of the video series and the play.
Here’s Episode 1.

Have Stories Will Travel

Neighbourhood Voices Interactive
Currently showing at Forest Heights Community Centre till the end of February 2016. It moves to Doon Pioneer Park in March.

‘Neighbourhood Voices Interactive’ , a traveling digital exhibition is the culmination of may work as the City of Kitchener’s 2014 Artist in Residence. It’s currently showing at Forest Heights Community Centre, 1700 Queen’s Blvd., Kitchener, Ontario, Canada  and is featured on the Armodilo website. Armodilo is the a Waterloo Region company that designs and manufactures the beautiful tablet stand and graphic band display I used for the traveling show pictured about.

The unit consisting of an iPad mounted on a stand, headphones, an informational banner and an iBook installed on the tablet that gives viewers a chance to watch or read the stories gathers during the project.

Throughout my residency, I connected with Kitchener residents through the city’s community centres.  People told me their everyday stories and I turned them into short, touching portraits of neighbours from across the city.

The mobile unit returns the stories to the community centres where they originated.   ‘Neighbourhood Voices Interactive’ will circulate from centre to centre for month-long exhibits.

 Here are some other dates and locations:

  • March – Doon Pioneer Park Community Centre
  • April – Downtown Community Centre
  • May – Centreville Chicopee Community Centre
  • June – Kingsdale Community Centre
  • July – Mill-Courtland Community Centre