Finding John Lingwood: The Search Begins

record-building-evening
 

Kitchener-Waterloo Record building, designed by John Lingwood, opened in 1973 at 225 Fairway Road South, Kitchener. Building photos courtesy of University of Waterloo, Special Collections & Archives, Kitchener-Waterloo Record Photographic Negative Collection

 

The first time I set foot in the Kitchener-Waterloo Record building on Fairway Road in 1979, I knew right away something important was going on there.

It was early in my newspapering career and most of the newspaper offices I had know were makeshift affairs or dishevelled versions of their former selves – places where broom closets sometimes masqueraded as darkrooms and reporters worked cheek-by-jowl with advertising sales staff.

For someone as green as a new shoot, entering a purpose-built building felt a little like stepping into a temple. The Kitchener-Waterloo Record was one of the country’s leading daily newspapers, run be people committed to the ideals of journalism.

I ended up spending over 25 years of my working life there. From photographer to website editor, it became my professional home on the inside and an iconic landmark on the outside. Although it’s now demolished, the building will forever loom large in my life.

And now, I stand at the gateway to a new year, 2017. Once again I’m feeling as green as a new shoot and once again I’m remembering the Record building.

af-logo-square-colourI recently received a grant from the Region of Waterloo Arts Fund to support my latest and most ambitious project, “Finding John Lingwood” – a 60-minute documentary film about the life and work of John Lingwood, one of Waterloo Region’s most prolific and influential architects of the mid-20th century. Other supporter of the film include the Grand Valley Society of Architects and WalterFedy. I’m also fortunate to have a network of support for my whole practice that includes numerous agencies and individuals.

The Record was one of many buildings on Lingwood’s project list that included everything from modest homes to churches to university buildings to civic buildings. Starting when he opened his Kitchener practice in 1955, the list shows more than 640 different jobs completed before his death in 1996.

“Finding John Lingwood” is my quest film – a search for essence of this man whose work influenced my life deeply.

Along with the Record building, I will take an in depth look at two other Lingwood sites and the communities that grew up around them:

  • Among his first design projects was 20 modest family homes  build by Freure Homes on the west end of Manchester Road in Kitchener. This was where John Lingwood lived much of his life with his wife, Betty, and children Linda, Wendy, Cameron and Lisa.
  • The building Lingwood is best known in architectural circles for is the the Carmel New Church, 40 Chapel Hill Drive, Kitchener. Although he designed many churches, this one formed the heart of a faith community. Adherents built their homes close by and the neighbourhood of Caryndale was created. The community continues to evolve as people who grew up in there and moved away are now returning to raise their families.

The search is just beginning. Stay tuned to see how the journey unfolds.

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Watch “Road Hockey Stories: Episode 3 – Birthday Game”

I grew up in rural Ontario, so most of my road hockey was played on a snow-packed driveways after supper, in the dead of winter. The nearest ice rink was about a kilometre away at the public school, but there were know lights and no warm place to put on your skates. In the driveway we at least had the benefit of the 100 watt bulb over the backdoor and we could nip inside to warm up or mend a battle wound.

We often played with a crushed tin can rather than a ball or puck. The tin can at least glinted in the dark and didn’t travel far when it strayed out of bounds. A common refrain  echoed in the winter night, “NO RAISING!”. Alas, the rule was often broken in the heat of the game, leading to cursing, cuts and at worst, fistfights. All things heals by the next goal or big save.

I’m looking forward to Lost & Found Theatre‘s premiere of a Lea Daniel and Gary Kirkham’s “Pocket Rocket” a play three periods that looks at how our childhood experiences, such as road hockey, shapes our live over time. It opens on April 20 and runs till April 30. You can order your tickets online.

For more in the “Road Hockey Stories”  series watch these other 1-minute episodes:

Episode 1 – Paul

Episode 2 – Mitch, First Goal

Watch “Road Hockey Stories: Episode Two – Mitch” First Goal

Here’s Episode 2 in a series of teasers for Lost & Found Theatre’s new play “Pocket Rocket” by Waterloo Region playwrights Lea Daniel and Gary Kirkham.
We will be showing all the stories we’ve collected as a pre-show treat at performances of the play April 20 to 30 at the Registry Theatre in Kitchener.
For more information and a peek behind the scenes visit the Lost & Found Theatre’s blog.

Watch “Road Hockey Stories: Episode One – Paul”

I’m having a great time talking to people in Waterloo Region about their memories of playing road hockey
I volunteered  to start this series of short videos to help Lost and Found Theatre promote the world premiere of Pocket Rocket a new play by Lea Daniel and Gary Kirkham.
Checkout the Lost and Found Theatre blog to get a peek behind the scenes of the video series and the play.
Here’s Episode 1.

Have Stories Will Travel

Neighbourhood Voices Interactive
Currently showing at Forest Heights Community Centre till the end of February 2016. It moves to Doon Pioneer Park in March.

‘Neighbourhood Voices Interactive’ , a traveling digital exhibition is the culmination of may work as the City of Kitchener’s 2014 Artist in Residence. It’s currently showing at Forest Heights Community Centre, 1700 Queen’s Blvd., Kitchener, Ontario, Canada  and is featured on the Armodilo website. Armodilo is the a Waterloo Region company that designs and manufactures the beautiful tablet stand and graphic band display I used for the traveling show pictured about.

The unit consisting of an iPad mounted on a stand, headphones, an informational banner and an iBook installed on the tablet that gives viewers a chance to watch or read the stories gathers during the project.

Throughout my residency, I connected with Kitchener residents through the city’s community centres.  People told me their everyday stories and I turned them into short, touching portraits of neighbours from across the city.

The mobile unit returns the stories to the community centres where they originated.   ‘Neighbourhood Voices Interactive’ will circulate from centre to centre for month-long exhibits.

 Here are some other dates and locations:

  • March – Doon Pioneer Park Community Centre
  • April – Downtown Community Centre
  • May – Centreville Chicopee Community Centre
  • June – Kingsdale Community Centre
  • July – Mill-Courtland Community Centre

View through a cracked lens

Gary Working at dining room table
Gary Kirkham working at my dining room table during one of our writing sessions.

Over the past year, I have been working on a new play with my friend and colleague Gary Kirkham, a well-known and well-respected playwright.

Gary started out as my mentor when he led Writers Bloc, a playwriting collective run by Kitchener’s Theatre and Company in the early 2000s. Our relationship evolved over the years and since 2012 we have collaborated on a number of projects from short films to theatre productions.

Our lastest collaboration is a new work of verbatim theatre. Based on the real words of real people, “Rage Against Violence” was commissioned by Women’s Crisis Services of Waterloo Region (WCSWR) for its annual awareness and fundraising event November 30, 2015. It’s based on a series of interviews conducted by Gary and me as well as WCSWR staff. These interviews include:

  • Women who have lived with violent partners;
  • Police officers who respond to domestic violence calls;
  • Shelter support workers who answer crisis lines and guide women through escape and recovery;
  • The nurse who records and treats the physical and emotion damage wrought by abusive partners
  • And the journalist who reports on the trials of people who’ve murdered their intimate partner.

My time as a photojournalist taught me to view the world through a lens – literally and figuratively.

It was a technique I often used to distance myself emotionally from things I would rather not deal with, but had to: the mundane, the bureaucratic, but most importantly the horrific. This is not to say you shut down empathy or concern for others, but you look at things pragmatically to get the job done.

I still use this lens when I’m confronted with the tough things in life. It helped me deal with one of our greatest challenges in writing “Rage Against Violence” – hearing the pain in these women’s voices as they relived the violence.

However, there were moments when I felt the lens crack; I’d draw a ragged breath – stifle a errant sob:

Vivian – “There was a crack under the cell door. I laid down on the floor and tried to breath through the crack”

Kelly – “The girls were hiding behind the toilet. And he was running the water in the bathtub with the plug in.”

Susan – “He went to the basement and came back with a … machete.”

The Nurse – “After an emotional day … you would gather your family together … no matter what your kids did that day you would hug them tighter that night.”

The room would go silent. I would look at Gary; he would be struggling with his emotions too.

WCSWR ONE ACT POSTER
Click for a larger view.

Gary and I believe part of our job is to make the lens crack, to draw attention to the things in life we would rather not confront, to have you struggle with the same emotions we faced in our work. And, we do this in the hope you will take the experience back to the community and enrich everyone’s life with your insights and understanding.

While we have poured ourselves into this project, it would not be possible without the funding, trust and artistic freedom granted to us by Women’s Crisis Services of Waterloo Region. It’s the progressive thinking of people like Mary Zilney, executive director of WCSWR, that transforms art into community building.

“Rage Against Violence” will run for one night only in Waterloo Region – November 30, 2015 at the Dunfield Theatre 46 Grand Ave., Cambridge. We hope you will come and see this one-of-a-kind production and support Women’s Crisis Services by buying a ticket and making a donation to its work.

On being funded

2014 OAC Logo Colour JPG

I know it’s taboo, but I’m going to talk about money.

In particular I’m going to talk about the money I received last week from the Ontario Art Council through it Exhibition Assistance program.

I’ve tentatively arrived at the “career” of artist as I navigate my middle years – a journey partly of necessity and partly of design. I’m emerging as an artist, so to be validated by the province’s premier arts granting body is cause for celebration. It’s a milestone coupled to my time as Kitchener’s Artist in Residence in 2014.

The grant is based on recommendations by local arts organizations, usually galleries or artist-run centres who assess applicants and suggest funding to the OAC. I applied through the Kitchener-Waterloo Art Gallery and its senior curator Crystal Mowry  for support for the final exhibition of my Kitchener residency project called Neighbourhood Voices in the Rotunda Gallery at City Hall.

interactive video installation

The exhibition of 16 photographic portraits of everyday Kitchener people along with of an interactive “Story Mixing Station” was a gateway into a collection of personal stories gathered over the residency. The work encapsulates the way in which our stories intersect to create a third narrative or meta narrative of community life. You can read more about the Story Mixer in my earlier post, “Mixing Messages in Kitchener.” The stories can be viewed outside the mixer on this YouTube playlist:

Although the application for exhibition assistance is quite simple, the idea of it was daunting.

Here’s the official description of the program: “This program is open to Ontario-based professional visual artists, craft artists, media artists and artist collectives who have a confirmed, upcoming public exhibition. Exhibitions in Ontario, in other Canadian provinces and in international locations are all eligible.”

Writing an application to someone you know, someone you see regularly at openings, someone who has THE creds in a world in which you are a newcomer, someone such as Crystal Mowry, is way harder than writing for a faceless, nameless jury – at least I thought so.

Since entering into the community of art makers in Waterloo Region, I’m surprised regularly by the generosity of my colleagues – a willingness to share ideas, experience and work. So, I shouldn’t have been surprised by the mentorship so willingly offered by Crystal in the application process.

Preparing the application was less work than other grant applications I’ve been involved with, but Crystal’s attention to detail and insistence on proper form gave me more valuable take-ways than any grant writing workshop I’ve attend.

Average income for Canadian artists from all sources is a little over $31,000 annually; so, funds granted by the Ontario Arts Council are crucial to enabling artists to create and exhibit their work. Equally important though, is the networks and development of art making in individual communities nurtured by these grants.

For me, there is much to be thankful for in the grant:

  • The money, of course
  • Validation as an artist
  • And the mentorship of experienced artists